Julia Madeleine is a force in the crime fiction world and writes some of the best short stories around, including a disturbing tale in Pulp Ink 2. She's here with us today talking madness, writing, research, and tattoos.
Author's Bio: Julia Madeleine is a thriller writer and tattoo artist living in the Toronto area. For a year she lived in the country on a 30-acre property in the middle of nowhere which became the inspiration for her novel, No One To Hear You Scream. Find out more about her writing at www.juliamadeleine.com
DBK: Many of your short stories are about crazy people. The
characters may seem semi-normal at first, but by the end, it's obvious that
they're batshit. What draws you to writing about the less-than-sane?
JM: I swear I could be in a room of fifty people and I’ll
attract the one wack-job who’s there. But maybe that’s because I love crazy
people. They’re so fascinating. I know quite a few of them, got a few in the
family. They are an endless source of material for my writing. One of my crazy
friends recognized herself in my novel—a brief reference to her showing up to
lunch with her mother with a shaved head, wearing a tiara and a feather boa—and
laughed out loud. I always feel a little guilty writing people into my stories
but they seem to enjoy it when I do.
DBK: How much research do you do for your stories? How about
novels?
JM: As much as necessary. I spent hours on research for my
novel The Truth About Scarlet Rose, combing through newspaper archives on
microfiche down at the Toronto reference library (it takes place in the 80s).
But the research was fun. Short stories don’t seem to require too much in the
way of research.
DBK: Your work alternates between crime and horror. Do you
see yourself as a crime writer, a horror writer, a pulp writer, or just a
writer?
JM: Oh, probably a crime writer with a love of noir.
DBK: Whose work are you into right now?
JM: I just finished Don Winslow’s Savages and went to the
movie (both are brilliant) and picked up Kings Of Cool. Love his style. I recently
read Gillian Flynn’s Gone Girl. I’ve read all of her books and love the way she
writes. I’m currently simultaneously reading Meagan Abbott’s Dare Me, and One
Good Hustle by Canadian author Billie Livingston.
DBK: Are you working on a novel? Any new short stories
coming our way?
JM: Yes to both questions. I’ve got a few short stories coming
out this year including one in Noir Nation’s next issue, and in Shotgun Honey’s new
anthology. I’m about 40K into my latest novel about a woman who murders her
husband’s mistress and frames him for it.
DBK: Your "Tattoo and a Review" series is
fabulous. How do you coax people into reading pulp who might not otherwise be
interested?
JM: I pretty much trick them. I offer them the use of my
lovely iPad and the invitation to distract themselves from the pain of their
tattoo by indulging their mind in some dark little tales of crime and mayhem. What
I’m really doing is subcontracting reviewers so I can feature some of my writer
friend’s work on my blog. It’s a lot of fun for everyone I think.
DBK: How much does your work as a tattoo artist influence
your writing?
JM: I don’t know if my
tattooing influences my writing so much as competes with it for my time and
creative energy. It’s always been that way with me between the two mediums; art
and writing. Everything in my life suffers for my writing. It always will and
I’m good with that.
Author's Bio: Julia Madeleine is a thriller writer and tattoo artist living in the Toronto area. For a year she lived in the country on a 30-acre property in the middle of nowhere which became the inspiration for her novel, No One To Hear You Scream. Find out more about her writing at www.juliamadeleine.com