Full deck of zombies over at Christopher Grant's Eaten Alive.
AJ Hayes has a tight and punchy flash piece about the zombie apocalypse that I just love. He does the short-short with remarkable consistency and style.
I also have what I consider a fairly unorthodox zombie story in The Scent of Rotting Leaves. It's some dark shit, even for me.
More zombie action from the likes of Michael J. Solender, Katherine Tomlinson and Michael Moreci.
You can also read AJ, Solender and myself in Pulp Ink, only $2.99 at Amazon.
Friday, August 19, 2011
New Yellow Mama!
New issue of YM came out earlier this week jam-packed with stories and poetry.
Julia Madeleine has a striking story in Community. A young woman is taking care of an older man as part of her community service when she discovers a fascinating series of photo albums. All, as you might expect, is not as it seems. Madeleine expertly handles the slow burn suspense and immerses the reader with creepy atmosphere.
Plenty of other great stuff up too, including Jim Harrington's bounty hunter story Two Down One to Go, poetry from AJ Hayes, and stories from Richard Godwin, Jason Duke, Cindy Rosmus, and many more.
Julia Madeleine has a striking story in Community. A young woman is taking care of an older man as part of her community service when she discovers a fascinating series of photo albums. All, as you might expect, is not as it seems. Madeleine expertly handles the slow burn suspense and immerses the reader with creepy atmosphere.
Plenty of other great stuff up too, including Jim Harrington's bounty hunter story Two Down One to Go, poetry from AJ Hayes, and stories from Richard Godwin, Jason Duke, Cindy Rosmus, and many more.
Thursday, August 18, 2011
Hired Guns by Mark Boss
Hector Tombs is a paroled LA gangbanger working a security job for a massive corporation. That all disintegrates when an employee guns down several of his co-workers, including Hector's girlfriend. When the shooter is finally taken down, Tombs is surprised to see a big, slimy slug wriggle its way out of the gunman's body. He captures the slug and takes it to the company's CEO, Stephen Corrada.
This might have been a mistake, as Hector then gets in the middle of an international battle between Corrada and an old rival, who has sinister plans for these bizarre slugs.
Hired Guns is a fast-paced, action-packed thriller. Boss has clearly done his homework on everything from prosthetic limbs to computer hacking. But he never lets his research get in the way of delivering a fun story.
Pulp Ink at Criminal-E
Over at Criminal-E, Allan Guthrie has posted the openings to every story from Pulp Ink.
A lot of good ones there. Paul Brazill's is one of my favorites, as he brings his trademark sense of humor to his Peter Ord story, "The Lady & the Gimp."
Wednesday, August 17, 2011
Gun Control by Katherine Tomlinson
Many of you probably Katherine Tomlinson as the former editor of the (now dearly departed) Dark Valentine Magazine.
What you may not know is that she's also one hell of a writer. She proves that once again with Gun Control, a shorty for Chuck Wendig's weekly flash challenge that simply knocked me on my ass.
Strippers and crime -- they go together like chocolate and peanut butter.
What you may not know is that she's also one hell of a writer. She proves that once again with Gun Control, a shorty for Chuck Wendig's weekly flash challenge that simply knocked me on my ass.
Strippers and crime -- they go together like chocolate and peanut butter.
Tuesday, August 16, 2011
The Guy is Back
So once upon a time there was a guy at the top of this blog... Those who have been with me from the start (or, um, since the late spring) will know what I'm talking about. He was created using the ridiculous program Mad Men Yourself. He was smoking two cigarettes and had a mustache.
He was glorious.
But then, like all awesome things, he was lost when I was screwing around with the design of the site. Now... he has returned in all-new threads over at the Pulp Ink blog. (I wanted to put him up here but it didn't fit with the Blade Runner background.)
By the way, the contest is now over. Glad to see so much interest in the anthology.
He was glorious.
But then, like all awesome things, he was lost when I was screwing around with the design of the site. Now... he has returned in all-new threads over at the Pulp Ink blog. (I wanted to put him up here but it didn't fit with the Blade Runner background.)
By the way, the contest is now over. Glad to see so much interest in the anthology.
Pulp Ink Giveaway
Alright, cats and kittens (as Chris Holm would say).
In celebration of the release of the best crime fiction anthology since Jewel released her book of poetry, I will be giving away Pulp Ink to the first five people to email me (chris.rhatigan@gmail.com) in whatever format you like -- Kindle, Nook, Sony e-reader, Adobe document, carrier pigeon, etc.
One catch -- it would be super awesome if you review it on Amazon some time in the near future.
In celebration of the release of the best crime fiction anthology since Jewel released her book of poetry, I will be giving away Pulp Ink to the first five people to email me (chris.rhatigan@gmail.com) in whatever format you like -- Kindle, Nook, Sony e-reader, Adobe document, carrier pigeon, etc.
One catch -- it would be super awesome if you review it on Amazon some time in the near future.
Monday, August 15, 2011
Criminal Thoughts on Pulp Ink
One of my new favorite blogs is Ron Brown's Criminal Thoughts. It's (mostly) reviews of the form I love -- the short story. He possesses a unique and engaging style. His output is simply ridiculous yet he gives every story careful consideration.
Check out what he has to say about Pulp Ink over at his blog.
Check out what he has to say about Pulp Ink over at his blog.
PULP INK is live!
PULP INK is out now on Amazon and Smashwords. And check out the brand new PULP INK blog.
Sure, I could blather on about it, but here's the legendary Julie Morrigan (of GONE BAD and CONVICTIONS fame) with a review that made my heart skip a beat... or was that a clogged artery?
In any event, here she is.
Sure, I could blather on about it, but here's the legendary Julie Morrigan (of GONE BAD and CONVICTIONS fame) with a review that made my heart skip a beat... or was that a clogged artery?
In any event, here she is.
Pulp Ink is a gutsy, gritty collection of twenty-four twisted tales from some of the finest crime writers around.
Told with attitude, passion, and panache, these are stories about the morally ambiguous seedy underbelly of modern living, featuring hitmen, thieves, rapists, psychopaths, murderers and whores. From the first - Reed Farrel Coleman’s brilliantly brutal "Requiem for a Spider," to the last - Matt Lavin’s unsavoury, unsettling "The Only One Who Could Ever Reach Me," every story in this collection is a gem: multi-faceted, perfectly cut, and polished to perfection.
Pulp Ink may explore familiar territory: revenge, lust, greed, murder, betrayal and downright stupidity, but it does so unflinchingly and in its own indomitable style. Whether the sharp, dry northern noir of Paul D. Brazill or the sensual and deadly dark lyricism of Richard Godwin, the violent Old Testament-style retribution of AJ Hayes or Matthew C Funk’s bloody tale of perverse family ties, every one of these stories punches its weight.
Pulp Ink shines a light on the side of life we choose to ignore.
This is one of the best collections of short fiction you will ever see. Grab it now: Pulp Ink is ready to thrill, chill and entertain in ways you never thought possible.
Thursday, August 11, 2011
E-book Bargain of the Week: JAMES EVERINGTON
Occasionally you discover a writer through sheer random chance. I don't remember where it was or why (oh, wait, yes I do -- I was reading it to avoid work of course!) but I recently read an interview with James Everington.
He seemed to approach the horror genre in a different, novel way. His book was 99 cents and a few minutes later I was reading it.
His collection The Other Room is simply riveting. For whatever reason, I'm not much on the scary side of horror. It's more the unsettling, bizarre, surrealist side of horror that I like. And that's what Everington delivers here.
The title story is about an average bloke at a business conference who finds his hotel room key also opens the room next door. Strange thing about that room -- it's a mirror image of his. Later, when he hears people having sex in this other room, he becomes envious of them. But exploring the universe of the other room turns out to be a costly mistake.
This is Everington at his best -- putting his character on an elevator going straight to purgatory as he dismantles reality piece by piece.
"The Watchers" is another gem about a girl who morphs to everyone's idea of attractiveness. But instead of a blessing, it's a curse, as she has no fixed identity and only sees a sort of blur in the mirror. Another startling idea that matures into a very fine story.
And, for writing process nuts like myself, Everington includes a bit at the end about how he came up with each story. This is a brilliant collection that anyone with an interest in this particular genre should pick up.
He seemed to approach the horror genre in a different, novel way. His book was 99 cents and a few minutes later I was reading it.
His collection The Other Room is simply riveting. For whatever reason, I'm not much on the scary side of horror. It's more the unsettling, bizarre, surrealist side of horror that I like. And that's what Everington delivers here.
The title story is about an average bloke at a business conference who finds his hotel room key also opens the room next door. Strange thing about that room -- it's a mirror image of his. Later, when he hears people having sex in this other room, he becomes envious of them. But exploring the universe of the other room turns out to be a costly mistake.
This is Everington at his best -- putting his character on an elevator going straight to purgatory as he dismantles reality piece by piece.
"The Watchers" is another gem about a girl who morphs to everyone's idea of attractiveness. But instead of a blessing, it's a curse, as she has no fixed identity and only sees a sort of blur in the mirror. Another startling idea that matures into a very fine story.
And, for writing process nuts like myself, Everington includes a bit at the end about how he came up with each story. This is a brilliant collection that anyone with an interest in this particular genre should pick up.
Tuesday, August 9, 2011
A Good Day by Darren Sant
By Aj Hayes
Years ago I was diving at Martinique in the French Carribean. At place called Diamond Rock. I was at about 130 feet, just loafing along looking at the broken coral, sand and sea grass bottom when something caught my eye. At that depth, all color has for the most part vanished to be replaced with the ocean's endless monochrome blues, grays and blacks.
But suddenly in the midst of all the subdued pallet, I was hit square in the eyes by a spot of indescribably brilliant, neon yellow. Turned out it was a small sponge that somehow retained the ability to show its incandescent natural yellow in the colorless depths of the sea. It shocked me, that sponge, snapped me out of my undersea revery like a cattle prod to my, um, nether regions. I wondered how and why the small entity had gained the ability to stay so vivid. I still don't know.
A Good Day by Darren Sant has that characteristic. It's set in a colorless, hopeless world at the bottom of the heap. In a place as dark as the abyss. So dark that the abyss has a clearer view of things than the people existing there.
There's a seagull. Not a pretty one. A sort of last chance, dingy winged seagull making its precarious living off of alley scraps. And this guy. This broke down, sneak thief, heroin riddled guy on the far end of survival. Plus there's this kid. In trouble and scared and silent and hopeless and nobody cares. Except maybe this guy we talked about already. He does something this guy. He does something that startles me as much as the sponge did shining out in the depths. And for a moment I think: Maybe. But then . . . well . . . remember where you are, boyo.
But you know, I remember that yellow sponge. How it made me feel.
I'll remember A Good Day also. How it made me feel.
I think you will too.
Sunday, August 7, 2011
Confession
I'm up over at Pablo D'Stair's place with a confession in his series, Why'd You Go And Do That? After my confession and questions from Pablo about my writing, we turn the tables.
Be sure to check out the confessions with other writers as well. I particularly like Pablo's confession to Caleb Ross about how he stole thirty bucks from his mom when he was three years old. In his interview responses, he cuts to the core of what crime writing is all about. Take this bit:
It’s the fundamental thing with crime, with being criminal (in my experience and lay observation)—when it boils down to it, everyone will confess because it will become unbearable to not be known for what you truly are, to know that no one knows you, you’re adrift, you’re a story you obsesses over that no one else cares about.
Sharp stuff.
The third novella in Pablo's Trevor English series, Helen Topaz, Henry Dollar, is now available for free from Smashwords. The first two are also available for free. Trust me, these are worth reading. D'Stair is one of the finest stylists in crime writing and has created a vivid, realistic character in Trevor English.
Saturday, August 6, 2011
All Due Respect Interview
I've received a lot of good submissions for All Due Respect so far. Hope that continues.
If you want a glimpse into what I'm looking for, or you really just like hearing me talk, check out this interview with Alec and me at Duotrope.
If you want a glimpse into what I'm looking for, or you really just like hearing me talk, check out this interview with Alec and me at Duotrope.
Friday, August 5, 2011
THE BIG BAD by Phil Beloin, Jr.
If you want a fast-paced, dark, nasty ride, then Beloin's new novel is the ticket.
One morning Nick Constantine, a petty thug and bar owner, wakes up with a massive hangover and an erection. He finds there's a blonde sleeping next to him and does what any gentleman would do -- have sex with her when she's asleep.
Oops, she's a bit more than asleep. She's kind of dead.
I dug this move. Beloin draws a line in the sand -- either you're with him or you're running away, screaming about propriety and the like.
Anyways, turns out that Nick's been framed, and it's going to be quite a journey for him to work his way out of that jamb. In between fighting other bad guys, Nick is ceaselessly trying to score and drowning his liver in booze and beer. The Big Bad proves to be a tour of the Connecticut underworld (which, contrary to popular opinion, does exist) through the eyes of a likable-yet-insane anti-hero. Nick redeems himself a bit by the end, but he's still essentially a sleezeball necrophiliac.
I first read Beloin at sites like A Twist of Noir and The Flash Fiction Offensive. All of his formidable skill that I first noticed -- tight dialogue, sound plotting and a knack for the grotesque -- is on display here. It's cool to see him working his way up with this fine book.
One morning Nick Constantine, a petty thug and bar owner, wakes up with a massive hangover and an erection. He finds there's a blonde sleeping next to him and does what any gentleman would do -- have sex with her when she's asleep.
Oops, she's a bit more than asleep. She's kind of dead.
I dug this move. Beloin draws a line in the sand -- either you're with him or you're running away, screaming about propriety and the like.
Anyways, turns out that Nick's been framed, and it's going to be quite a journey for him to work his way out of that jamb. In between fighting other bad guys, Nick is ceaselessly trying to score and drowning his liver in booze and beer. The Big Bad proves to be a tour of the Connecticut underworld (which, contrary to popular opinion, does exist) through the eyes of a likable-yet-insane anti-hero. Nick redeems himself a bit by the end, but he's still essentially a sleezeball necrophiliac.
I first read Beloin at sites like A Twist of Noir and The Flash Fiction Offensive. All of his formidable skill that I first noticed -- tight dialogue, sound plotting and a knack for the grotesque -- is on display here. It's cool to see him working his way up with this fine book.
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